Time and Cézanne’s Later Paintings
نویسنده
چکیده
I present scholarship on Cézanne’s artistic process by George Hamilton, Meyer Schapiro and Joyce Medina in order to analyze his reconstitution of Space (as occurring in Time) in several paintings of his late period: “Le Bay from L’Estaque (1886), “Chestnut Trees at Jas de Bouffan” (1885),and “Mont SainteVictoire” (1904). I argue that the ingenuity of Cézanne’s artistic representation of Space “induration” coincides with and is contemporary to a post Kantian reconstitution of Space introduced by the French philosopher Henri Bergson (1859 1941), according to whom Space is experienced by Consciousness only in Duration (Time).
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